Before the rise of Bob Marley, Rastafari doctrines and practices were sporadically referenced in Jamaican popular music throughout the early 60s. The Jamaican jazz percussionist Oswald Williams, aka Count Ossie, inspired by African burru drumming established several Rastafarian camps in the 1940s where he invited musicians to be a part of his musical experiments. Ossie led a troupe of Rastafarian Nyabinghi drummers on the 1960 hit "Oh Carolina" by the Folkes Brothers, marking the first incorporation of Rastafarian practices into Jamaican popular music.


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